The reviewers struggle to express what HFR looked like and why: Very few filmish people liked what they saw.
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WHAT IS THE NEWEST PHOTOSHOP 2013 MOVIE
The HFR version of the Hobbit - the first commercial movie to be released in this new format - stirred up howls from the critics. Why would the frame rate distort the lighting and the emotion? And perplexing - because the only thing different in the two movies was that one was displayed in the 48 frames it was shot at, and the other was computationally reduced down to the normal 24 frames per second. The emotional effect of HFR was disturbing for the first 10 minutes. The HFR lighting in the HFR movies seemed harsh, brighter, and more noticeable. (The 3D did not have an effect.) Even though both formats were shot with the same cameras and lighting, they appeared to be lighted and shot on different sets. I was surprised though that the movie in 48HFR looked so different. And disturbing at first.īecause 48 frames per second is just above the threshold that a human eye/brain can detect changes, the projected picture seems startling whole and “smooth,” as if it were uninterrupted reality.
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HFR is a cinematic hi-tech that promises greater realism. A day later I returned to see The Hobbit in 3D at a high frame rate of 48 frames per second, called HFR. We may find them painful before we find them indispensable. New media technologies often cause an allergic reaction when they first appear.